Tag Archives: The Velvet Underground

The Velvet Underground – Pale Blue Eyes (1969)


And now for the come-down… three months after The Stones were chanting in ‘Sympathy For The Devil’, The VU released ‘Pale Blue Eyes’. It featured on the their self-titled third studio album. It was the first recording after John Cale’s departure from the band. Linger on…

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Lou Reed – Satellite Of Love (1972)

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“I’ve been told that you’ve been bold with Harry, Mark and John.” Lou Reed’s ‘Satellite Of Love’ was first released on his standout album Transformer, but was originally written during the final days of The Velvet Underground. Reed’s solo career was given a huge boost when team Bowie decided to work with the ex-VU star to make him shine as brightly as possible. Bowie and Mick Ronson had given their hero a new lease on life. Ronson played both piano and recorder on this track.

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Nick Cave & The Bad Seeds – Jubilee Street (2013)


‘Jubilee Street’ was the second single from The Bad Seeds’ album Push the Sky Away. This slow burner has echoes of The Velvet Underground; a song about a prostitute named Bee who lived on Jubilee Street in Brighton. Before the Australian star left the city for L.A., following the death of his son, he had spent the best part of two decades down on the south coast. That’s enough time to see a lot of change. Have a great weekend.

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Kevin Morby ‎- Dorothy (2016)



Another singer-songwriter having a good year, Kevin Morby found his stride on his third album Singing Saw. Centrepiece ‘Dorothy’ has all the hiss of a Velvet’s track while managing to combine it with rhythmic piano rock of The Band.

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Slapp Happy – Blue Flower (1972)

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Slapp Happy

Slapp Happy was a German/English/American group formed by Dagmar Krause, Anthony Moore and Peter Blegvad (the tall one). Before moving to England in 1974, they recorded their avant-rock debut Sort Of in Wümme, West Germany. The signature tune ‘Blue Flower’ lifts a hook from the The Velvet Underground’s ‘Femme Fatale’, but they also plough their own furrow with the careful use of Krause’s distinct vocals. ‘Blue Flower’ would be covered by Mazzy Star and Pale Saints.

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The Velvet Underground – Sunday Morning (1966)


The Velvet Underground 1966

I had one of these this weekend – a hungover and slightly paranoid ‘Sunday Morning’. “Watch out, the world’s behind you, there’s always someone watching you.” ‘Sunday Morning’ is off Velvet Underground’s classic 1967 debut album The Velvet Underground & Nico. The song kicks off the album. And the first sounds are the Sugar Plum Fairy keyboards of John Cale. It’s a captivating start – to the week.

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John Cale – Child’s Christmas In Wales (1973)

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John Cale

In 1973, John Cale released a personal and unusually accessible album Paris 1919. Its opening track ‘Child’s Christmas in Wales’ is a reminiscent short story about the wonder of childhood Christmases. Have a great weekend.

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Cat Power – Nude As The News (1997)


Cat Power again

Produced by Sonic Youth drummer Steve Shelley, the album What Would The Community Think housed the psychotic overtures of ‘Nude As The News’. It was Chan Marshall’s dark, melancholic third album, and its best song drew on the influences of The Velvet Underground and Nirvana. The song draws on an abortion that Marshall (a.k.a. Cat Power) had when she was twenty. Visceral stuff.


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Caetano Veloso – Alfomega (1969)


Caetano Veloso young

Caetano Veloso’s self-titled debut album changed the face of Brazilian music, kickstarted the Tropicália movement and ultimately led to his arrest and forced exile. Originally released in 1969, the LP’s last track ‘Alfomega’ is a suitable highlight. At the time, the people needed a release and his VU-like melodies, confident drums and psychedelic vocals were just the ticket.

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The Velvet Underground – The Murder Mystery (1969)



A focal point on The Velvet Underground’s eponymous third album, the lengthy-but-intricate ‘The Murder Mystery’ features two simultaneous songs delivered by Lou Reed and Sterling Morrison, which are in turn overlaid by choruses from Doug Yule and Maureen Tucker. Apparently, this divide was split cleanly into left and right channels, and you could measure a fan by the amount of time he/she spent in their headphones switching control between ears to follow both nightmarish stories. People just don’t get that kind of time nowadays. Shame.

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Modern Lovers – Roadrunner (1972)


Modern Lovers

The Velvet Underground‘s ‘Sister Ray’ is an oft cacophonous, but always influential, song. Reputedly named after Ray Davies, the 1968 song about transvestites, drugs and debauchery may well have given the more mainstream Davies the confidence to tackle the former topic in ‘Lola’. Its sound certainly gave VU fan, and Modern Lovers patriarch, Jonathan Richman the inspiration to pen the three-chord classic ‘Roadrunner’. There have been many versions and covers of ‘Roadrunner’, but this John Cale production is one of the earliest – a proto-punk classic at a time when others were playing and listening to glam and prog. Not that there’s anything wrong with that!

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Money Mark – Tomorrow Will Be Like Today (1998)

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Money Mark Ramos-Nishita met the Beastie Boys while fixing their gate. It turned out to be a great bit of luck. Money Mark worked with them on Check Your Head and Ill Communication. But it got better, Push the Button was released around the same time as the Hello Nasty world tour, giving Mark the opportunity to play as the opening act for the Beasties. The album’s opus is the VU-tinged ‘Tomorrow Will Be Like Today’. Timeless. Have a great week.

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The Velvet Underground – Rock & Roll (1970)

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‘Rock & Roll’ features on The Velvet Underground’s fourth (and my favourite VU) album, Loaded. At about the age of 14/15, I still recall a conversation with this cool-and-slightly-aloof kid in my school. I was listening to a lot of music by then – particularly Led Zeppelin, Pink Floyd and Bowie. He asked me what type of music I liked and sneered at my response. In return, I asked the same… “the Velvets” was the response. He had a point – there are very few songs that can beat the “fine, fine music” of ‘Rock & Roll’. It also has one of those moments at 2m34s.

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Yo La Tengo – Stockholm Syndrome (1997)

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Undoubtedly YLT’s best album to date, I Can Hear The Heart Beating As One was moody, introspective, diverse – I read somewhere that the album is an ideal soundtrack for a nighttime drive. It would be need to be some distance; the long player is too long for some. So I pull out this 2:51 nugget for its brevity, simplicity of lyric and autumnal feel. The touches of Neil Young and Velvets helped the choice of course.

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