Tag Archives: Björk

9 of the best – sounds of 1993

A compilation treat for the May Day holiday. Looking back at 1993, the world of popular music was a-changing… Björk was doing her own thing at the crossroads, house music had grown up a little less exciting, and hip hop was showing temporary signs of sophistication…

Björk – Venus As A Boy

Wu-Tang Clan – C.R.E.A.M.

Sabres Of Paradise – Smokebelch II

The Smashing Pumpkins – Disarm

U2 – Lemon (Perfecto Mix)

Grant Lee Buffalo – Fuzzy

David Bowie – The Wedding

Blur – For Tomorrow

Tindersticks – Marbles

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Honourable mentions also go to: Jeru The Damaja for ‘Come Clean‘; Masters At Work for ‘The Buff Dance‘; George Morel for ‘Let’s Groove‘; A Tribe Called Quest for ‘Electric Relaxation‘ and not too much else. A quarter of a century after the annus mirabilis that was 1968, thin pickings were abound in 1993. That’s crossroads for you.

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9 of the best – sounds of 1997

A compilation for the weekend. My favourite 9 sounds of 1997, bookended by Radiohead. There are no surprises there; I have showed some restraint by not featuring more of their work.

Radiohead – Airbag

Supergrass – Late In The Day

Yo La Tengo – Stockholm Syndrome

The Verve – Bitter Sweet Symphony

Embrace – All You Good Good People

Pavement – Stereo

Spiritualized – Ladies and Gentlemen We are Floating in Space

Björk – Unravel

Radiohead – Let Down

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Honourable mentions also go to: Radiohead for ‘No Surprises’; Radiohead for ‘Paranoid Android‘; Radiohead for ‘Lift‘; Supergrass ‘Richard III‘; Spiritualized ‘Broken Heart’; Yo La Tengo for ‘Autumn Sweater’, Nick Cave & The Bad Seeds for ‘Into My Arms‘; Daft Punk for ‘Around The World’; NuYorican Soul (featuring Jocelyn Brown) for ‘It’s Alright, I Feel It!’ and The Notorious B.I.G. for ‘Mo Money Mo Problems‘.

I realise now that four albums – classic albums – were crowding out others from my ears in 1997.

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Björk – Venus As A Boy (1993)

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‘Venus As A Boy’ was one of the last songs Björk recorded for her Debut album. It was 1993, and the song offered a touch of Kate Bush, when the latter wouldn’t. It wasn’t just the vocals, the experimental use of synthesisers, strings and sitahs were not out of place. Björk was her own woman, but I am sure she would forgive me the musical reference.

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Björk – Unravel (1997)

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Half song, half speech, distant horns, organ, sadness, not sure how to categorise this beautifully simple song. ‘Alternative’ it is, but that does not seem to do the song’s uniqueness justice. I recall how Wayne Coyne (Flaming Lips) and Thom Yorke (Radiohead) raptured about it on release. If it’s good enough for those gents, it’s good enough for this blog. Wayne and Thom – you will both get a feature soon.

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