Silver Jews – Random Rules (1998)

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David Berman took his own life last week. He leaves behind a world that is lesser for his departure. The man that coined the phrase “Slanted and Enchanted” had began Silver Jews in the 1989 with friends Stephen Malkmus and Bob Nastanovich. While the latter pair would go on to form Pavement, Berman’s project never lost their shared interests. Berman’s widest acclaim came with the release of the 1998 album American Water. Its opening track ‘Random Rules’ reminds me of Pavement’s ‘Range Life’. In fact, Malkmus had participated in the making of the early Silver Jews albums as a side project. But all the songs were masterfully written by Berman, even if a lot of what he said was “lifted off men’s room walls”. Last month, Berman released his first work in over a decade since the dissolution of Silver Jews. The self-titled LP by Purple Mountains is his epitaph. RIP DB.

Gang Starr – Moment Of Truth (1998)

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Friday and a Moment Of Truth. Have a great weekend.

Jurassic 5 – Concrete Schoolyard (1998)

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Jurassic 5’s self titled debut EP was the best of alternative hip hop in 1997. At its heart is the old school ‘Concrete Schoolyard’. Have a great weekend.

9 of the best – sounds of 1998

A compilation for the weekend. My favourite songs of 1998 in no particular order:

Belle and Sebastian – The Boy With the Arab Strap

Boards Of Canada – Roygbiv

Money Mark – Tomorrow Will Be Like Today

Neutral Milk Hotel – Holland, 1945

Mercury Rev – Holes

Beastie Boys – Intergalactic

Lauryn Hill – Doo-Wop

Refused – New Noise

Silver Jews – People

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Honourable mentions also go to: Air for ‘La Femme D’Argent‘; Gang Starr for ‘Moment Of Truth‘; Elliott Smith for ‘Waltz#2‘; Eels for ‘Last Stop: This Town‘; People Under The Stairs for ‘San Francisco Nights‘: The Beta Band for ‘Dry The Rain‘; and Massive Attack for ‘Teardrop‘.

Beastie Boys – Intergalactic (1998)

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Oh yes. ‘Intergalactic’ was the first single from their fifth studio album Hello Nasty. Released in May 1998, this was warped retro-futurism according to the NME. It was out there, with its lovely touches of Afrika Bambaataa and Manga. Have a great week.

Gomez – 78 Stone Wobble (1998)

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Bring It On was the debut album by Gomez that won the 1998 Mercury Music Prize. The Southport band had an original take on bluesy rock, as exemplified by one of the LP’s standout tracks ’78 Stone Wobble’. Acoustic guitar and distorted vocals were an unusual mix, but absolutely on point. It was reminiscent of Beck.

Eels – Last Stop: This Town (1998)

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In 1998, the Eels took an introspective turn for their second release, Electro-Shock Blues. It was still pop music, but much darker than debut Beautiful Freak. ‘Last Stop: This Town’ is about singer-songwriter Mark Oliver Everett’s (aka E) sister Elizabeth, who had committed suicide. The video features a spinning carrot that slowly turns into a clone of E. Yes, indeed.

Boards Of Canada – Roygbiv (1998)

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A year after Radiohead’s OK Computer, Scottish duo Mike Sandison and Marcus Eoin released their masterful ‎Music Has The Right To Children. The world had changed. Track 10 was Boards Of Canada’s ‘Roygbiv’; just feel the intelligence.

Neutral Milk Hotel – Holland, 1945 (1998)

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The art rock of Radiohead’s seminal OK Computer paved the way for new levels of creativity in the decade that followed. I will feature some of my favourite alt rock this week. Neutral Milk Hotel’s second album In the Aeroplane Over the Sea was released a year later and was once described as like listening to a marching band on an acid trip. Take its song ‘Holland, 1945’, on which Jeff Mangum sings about the only girl he had ever loved being buried alive with her sister by her side and being reincarnated as a boy playing piano in Spain. All of which make complete sense, when accompanied by buzzing indie-rock, a harmony of horns and a zanzithophone. Good morning and have a great week.

Colin Hay – I Just Don’t Think I’ll Ever Get Over You (1998)

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By 2004, it had been almost 20 years since Colin Hay had fronted the new wave outfit Men At Work. The public eye had turned away from Hay’s output despite a number of solo projects. Then suddenly, ‘I Just Don’t Think I’ll Ever Get Over You’ pops up on the Garden State soundtrack. The song had in fact featured as the closing song on his 1998 album Transcendental Highway. It’s a song that does his distinctive voice great justice.

Massive Attack – Teardrop (1998)

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Seven years after Massive Attack’s Blue Lines introduced what would become to be known as trip-hop, they released another ground-breaking affair, Mezzanine. Last month, I featured Felt’s collaboration with Elizabeth Fraser. This was 13 years after ‘Primitive Painters’ and Massive Attack had the wherewithal to collaborate with Fraser, a worthy successor to their previous muses Tracey Thorn and Shara Nelson. The dubby treatment of the album’s ‘Teardrop’ would reach a wide audience via the Hugh Laurie series House.

Elliott Smith – Waltz#2 (XO) (1998)

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‘Waltz #2 (XO)’ is indeed a waltz, but not like the ones I’ve been subjected to via Swiss TV wallpaper this last week. It is written in 3/4 time signature, but its sentiment is not for the ballroom. Released as a single off Elliot Smith’s 1998 album XO, the song is about his mother. It’s a introverted start to the week; it must be all the over consumption of the last few days.

Energy 52 ‎– Café Del Mar (Three ‘N One Mix) (1998)

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In 1993, German DJs Kid Paul (aka Paul Schmitz Moorman) and Cosmic Baby (Harald Bluechel – he should have stuck with Harald) clubbed together to produce what many consider to be the greatest house tune of all time. ‘Café Del Mar’ isn’t, but this bonafide trance classic certainly had an impact during its journey from German warehouse to Ibiza outdoors. The zenith was the 1997 release on Hooj Choons that housed the almighty Three ‘N One remixes.

Panjabi MC – Mundian To Bach Ke (1998)

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Asian underground was given a turbo boost when Panjabi MC had the grand idea to mix Bhangra with a sound so hardwired into the male 20-something psyche that the western world would dance before they could say “Isn’t that the theme tune from Knight Rider?”. It was 1998 and the track was ‘Mundian To Bach Ke’ (Beware of the Boys).

Belle & Sebastian – The Boy With The Arab Strap (1998)

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The song opens with an electric keyboard riff that Ray Manzarek would have been partial to. But then ‘The Boy With The Arab Strap’ features a bass guitar, handclaps, flute, piano, drums, more organ, acoustic guitars – all laced with a poppy melody. For that, singer-songwriter Stuart Murdoch needed several hands and Belle and Sebastian’s were at the height of their powers in 1998.