R.I.P. George. A last Christmas.
British industrial band Chris & Cosey formed in 1981 out of the ashes of their previous incarnation – the pioneering Throbbing Gristle. In 1984, Chris Carter and Cosey Fanni Tutti released the electro-synth masterclass that was Songs of Love and Lust. The third track on the A-side is ‘Walking Through Heaven’, one of their best known pieces of music. The shimmering sound of analog synthesizers is very pleasing to these ears. Have a great weekend.
The imposter in this week’s pack, for there was no way I was listening to R.E.M. in real time in 1984. Knee high to a grasshopper, I was regrettably unaware of the band’s comings and goings in Athens and Charlotte. ‘So. Central Rain (I’m Sorry)’ was the first single off the band’s sophomore album Reckoning. Like its highly acclaimed predecessor, Murmur, the album continued the group’s journey to the alt rock pantheon. A decade later, they would be the biggest rock band on the planet. Have a great weekend.
It’s been just over 5 years since Malcolm McLaren passed. His career collaborations are both famous and infamous. Less celebrated is his work in 1983/84 with Trevor Horn and DJs Sedivine the Mastermind and Just Allah the Superstar. This is The World’s Famous Supreme Team and ‘Hey DJ’. Great memories.
Smiths’ guitarist Johnny Marr wrote ‘How Soon Is Now?’. But he famously says that even he would now have difficulty to recreate the sound of the oscillating guitar that is the hallmark of the track.Instantly recognisable; genius at work in 1984. Remarkably, it slipped out as a B-side to ‘William, It Was Really Nothing’ single. Have great weekend.
Before Cathy Dennis successfully covered it in 1991, Wish (Greg Carmichael and Patrick Adams) released ‘Touch Me’ as a single with Fonda Rae on vocals in 1984. Fonda Rae had previously had a club hit with ‘Over Like a Fat Rat’ a couple of years earlier, but nothing as timeless as this nostalgic slice of mid-1980s disco. The song’s intro has been sampled by the masses. Have a great weekend.
“Yo want this party started right? Yo want this party startin’ quickly… right?” Strafe would sing the vocals, a Roland TR-808 would provide the funky breakbeat, Walter Gibbons would do a LOVE mix and Larry Levan would play it over and over at the Paradise Garage. This was New York underground dance in 1984 and it would influence dozens of house DJs. Have a great weekend.
Now if we are looking back, then why not to the beginning of time when Now That’s What I Call Music, Vol. 1 was fashioned out of the purest of ethylene and chlorine. The choice is a tough one, but I plump for ‘New Song’, the debut single by Howard Jones. From his 1983 album Human’s Lib, the song sounded remarkably like ‘Solsbury Hill’. Unlike Peter Gabriel’s timeless classic, this guilty pleasure is probably more famous for the aforementioned compilation than its own status. Howard and his ‘song came and went. Now’ lives on.
Bandleader Simon Jeffes composed the opening track of the 1984 album Broadcasting from Home on a harmonium that he’d found abandoned on a Tokyo street. Musical inspiration. Something about those haunting string arrangements in ‘Song for Zula’ reminded me of ‘Music For A Found Harmonium’.
“She looks like Eve Marie Saint in on the waterfront/She reads Simone de Beauvoir in her American circumstance.” Unusually for me – and particularly so when I was was knee high – I was drawn to the lyrics of Lloyd Cole & The Commotions’ debut album rather than just the melodies. To me, the title track about the girl who wears a hat (although it hasn’t rained for six days) was the pick of the bunch. At the time, the cool manageress of the local pizza house played the album ad infinitum. Of course, I knew who Simone de Beauvoir was!
‘Sueño Latino’ by Sueño Latino is a classic italo house track from 1989. It was a hit across many European dance floors that year and would play a lead role in defining the early ambient sounds of Ibiza. Yet, it was itself a resurrection of another synthesizer classic. Manuel Göttsching originally recorded his album E2-E4 in Berlin in 1981. Although the album is one continuous piece of ambience, the enclosed YouTube link features the opening part ‘Ruhige Nervosität’. Sueño Latino fans will immediately recognise that familiar balearic sound. Have a great weekend.
Considerably longer than the original, Echo & The Bunnymen thankfully recorded this All Night Version of ‘The Killing Moon’. The song contains what would be an eerie and intriguing start to any track and this version explores its oriental, dreamlike undertones. ‘The Killing Moon’ became their signature tune off their self-proclaimed “greatest album ever made”, Ocean Rain. Ian McCulloch and co. were at the peak of their power and confidence. “Fate up against your will.”
After Buggles and before Frankie Goes To Hollywood, Trevor Horn teamed together with music journalist Paul Morley and several other scenesters to create Art Of Noise and its avant-garde synthesised sound. Their ‘Moments In Love’ were their best and have deservedly featured on a plethora of chill-out compilations since.