Don’t you just love an indie riff?! To instrumentation that echoes the work of New Order and The Cure, Snail Mail’s Lindsey Jordan sings of innocence and abandon. ‘Pristine’ features on the band’s 2018 album Lush.
Samuelsounds begins a short hiatus for the festive season. As is my way, I leave you with my favourite sounds of 2018. They are in no particular order. Merry Christmas, have a great holiday and see you in the New Year, when I will whittle 12 to 9. (Done!)
Honourable mentions also go to: Childish Gambino for ‘This Is America‘; Phum Viphurit for ‘Lover Boy‘; Fake Shark for ‘Wake Up‘; Phosphorescent for ‘New Birth in New England‘; Bodega for ‘Jack In Titanic‘; MorMor for ‘Heaven’s Only Wishful‘; Kanye West & Kid Cudi for ‘Reborn‘; Christine and the Queens for ‘Damn, dis-moi‘; Lana Del Rey for ‘Mariners Apartment Complex‘; The Voidz for ‘Leave It In My Dreams‘; Nilüfer Yanya for ‘Thanks 4 Nothing‘ and DJ Koze for ‘Pick Up‘.
This next year could be the breakthrough year for 22-year-old Nilüfer Yanya. She grew up listening to Nina Simone, Amy Winehouse and the Pixies and if you listen carefully and open your mind, you can hear the references in her indie soul. ‘Thanks 4 Nothing’ featured on her 2018 EP Do You Like Pain.
A compilation to get the ears humming this weekend. My favourite 9 sounds of 1995, the swansong year for Britpop. Needless to say, Oasis and Blur feature.
Honourable mentions also go to: Pavement for ‘We Dance‘; Yo La Tengo for ‘Blue Line Swinger‘; Ol’ Dirty Bastard for ‘Shimmy Shimmy Ya‘; Rob Dougan for ‘Clubbed To Death‘; Sparklehorse for ‘Saturday‘; and Radiohead for ‘Planet Telex’ and ‘Street Spirit’.
A compilation for the weekend. My favourite 9 sounds of 1996, the year before OK Computer, The Fat of the Land and Homework were released, wiping the sound slate clean.
Honourable mentions also go to: Super Furry Animals for ‘If You Don’t Want Me To Destroy You‘ and ‘Hometown Unicorn‘; Primitive Radio Gods for ‘Standing Outside A Broken Phone Booth With Money In My Hand‘; Eels for ‘Novocaine For The Soul‘; Mazzy Star for ‘Look On Down From The Bridge‘; Beck for ‘Where It’s At‘; and The Prodigy for ‘Breathe‘.
Well done France! I hope to see you against England on Sunday. Juniore is the brainchild of Anna Jean, a singer who lent her voice to songs of Parisian electro acts like Jackson, Jérôme ”Tacteel” Echenoz and Bot’Ox. Joined by four other female musicians, Anna Jean has now created something completely different. Think Nico meets Françoise Hardy. ‘Magnifique’ is the title track of their second studio album.
Natalie Prass’s sophomore album, The Future And The Past, is an eclectic affair. Supported by producer Matthew E. White and his Spacebomb Studio house band, she’s found her groove borrowing from pieces of 1970s and 1980s pop. While much of the long player has a waltzy swing to it, something a little slower pricked my ears. The piano ballad ‘Lost’ shows that the singer-songwriter knows how to deliver a vocal chop too. Have a great start to the week.
‘Trick Of The Light’ is the first release from Villagers’ forthcoming album The Art Of Pretending To Swim. The track opens to a steady pulse and quickly creates a groove that is more than slightly R&B. The folk returns as the song progresses and Conor O’Brien chases ‘A Trick Of The Light’.
Last week’s feature of Bryan Ferry got me thinking about solo artists that have made a good fist of leaving their successful bands. Stephen Malkmus’s signature is unmistakable. The one-time frontman for Pavement, arguably the most effervescent group of ’90s indie music, could have suffered under the weight of legacy and expectation. But he took it all in his stride and with a dollop of his humour. ‘Jo Jo’s Jacket’ and the bald dome of Yul Brynner feature on his self-titled debut album.
Tel Aviv-based indie popsters Lola Marsh released their debut album Remember Roses last year. I wonder if vocalist Yael Shoshana Cohen was thinking of Lana Del Rey when she wrote ‘Wishing Girl’. Instrumentalist and producer Gil Landau makes up the other half of the duo. Have a great week.
‘I Dare You’ finds The xx’s Romy Madley Croft and Oliver Sim exploring their feelings. Madley Croft was about to get engaged and Oliver Sim was thinking about his issues with alcohol. Unlike much of last year’s album I See You, the resulting song is positive in mood. Have a great week.